RESEARCH HANDBOOK ON INTELLECTUAL PROPERTY AND CREATIVE INDUSTRIES

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ABOUT THE BOOK

The creative industries are becoming of increasing important from economic, cultural, and social perspectives. This Handbook explores the relationship, whether positive or negative, between creative industries and intellectual property (IP) rights.
Distinguished international contributors reflect on the diverse policy approaches from across the world, taking into consideration a broad spectrum of economic and philosophical stances. In doing so, the topical chapters offer a global exploration of a wide breadth of issues, including sector-specific examples ranging from museums to traditional knowledge and artificial intelligence to enforcement and new business models. Intriguingly, this Handbook also looks forward to future challenges and developments regarding the role of IP in creative industries.
Delivering fresh and challenging perspectives on the rich and important relationship between IP and the creative industries, this Handbook will be vital reading for scholars of IP. It will also be an important reference for advisors to, policymakers for, and funders of the creative industries, as well as activists challenging the power of IP.

TABLE OF CONTENTS


Introduction
Abbe E. L. Brown and Charlotte Waelde

Part I Setting the Scene: What is Intellectual Property and why is it relevant to creative industries
1. Whither the creative economy? Some reflections on the European case
Philip Schlesinger

2. Copyright and performers’ rights in the creative industries: old laws for new challenges
Mathilde Pavis

3. Design, utility models and patents
Stina Teilmann-Lock

4. Passing off, unfair competition and trade marks
Hasan Kadir Yilmaztekin

5. Intellectual property in creative industries: the economic perspective
Christian Handke

Part II National and Regional Perspectives
6. Intellectual property and creative industries policy in the UK
Kristofer Erickson

7. Intellectual property and creative industries policy in Africa
Enyinna Nwauche

8. The Creative industries and intellectual property in India
Yudhishthir Raj Isar

9. If all you have is a hammer: Promoting the creative industries through EU copyright reform
Julia Reda

10. Cultural creative industries from a cultural policy perspective: the case of Japan
Emiko Kakiuchi

Part III Intellectual Property, Creativity and Reward: Sharing and Enforcement
11. Open approaches to sharing: Registered and unregistered rights
Andres Guadamuz

12. Open approaches to sharing: Egypt’s independent music - a realm of sharing and creativity
Nagla Rizk

13. Intellectual property enforcement: empirical consideration of enforcement action
Jane Cornwell

14. Enforcement and remedy: What is success? IP litigation and the Creative Industries
Abbe E. L. Brown

Part IV Case Studies: Coping with Legal, Social and Technical Change
15. Visual Arts: Artists’ voices from the field
Smita Kheria

16. Problematising heritage crafts authorship and ownership: steps towards the intellectual property protection of the traditional Romanian blouse
Amalia Sabiescu

17. Performing arts: a study of dance
Charlotte Waelde and Sarah Whatley

18. Traditional knowledge: Protecting the intangible and tracing the development of international protection for folklore
Stephen Collins

19. The creative sector and traditional knowledge
Susy Frankel

20. Software: Intellectual property and artificial intelligence
Roger Burt and Colin Davies

21. Copyright in Museums
Amalyah Keshet

Part V Cross-Sector Issues
22. Theory and philosophy
Jaime Stapleton

23. How people understand intellectual property, creativity and reward
Gregory N. Mandel

24. Appropriating value: on the relationship between business models and intellectual property
Henning Berthold, Melinda Grewar, Shiona Chillas and Barbara Townley

25. Corporate social responsibility, intellectual property and the creative industries
Abbe E. L. Brown, Nicholas Gervassis and Rumbidzai Mukonoweshuro

Part VI Foresighting
26. The hard sell: economics and intellectual property policy in the creative and cultural industries
Nicola Searle

27. Creative industries, diversity and intellectual property
Irene Calboli

28. Creative economy: industry versus language?
John Hartley

29. Distributed, cumulative, collaborative, collective creativity
Valdimar Tr. Hafstein

Index


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